By Ian Bogost
Humanity has sat on the middle of philosophical considering for too lengthy. the new creation of environmental philosophy and posthuman reports has widened our scope of inquiry to incorporate ecosystems, animals, and synthetic intelligence. but the majority of the stuff in our universe, or even in our lives, is still past severe philosophical concern.
In Alien Phenomenology, or What It’s wish to Be a specific thing, Ian Bogost develops an object-oriented ontology that places issues on the heart of being—a philosophy during which not anything exists from now on or lower than the rest, during which people are parts yet now not the only real or perhaps basic components of philosophical curiosity. and in contrast to experimental phenomenology or the philosophy of expertise, Bogost’s alien phenomenology takes without any consideration that each one beings have interaction with and understand each other. This event, even if, withdraws from human comprehension and turns into available basically via a speculative philosophy in line with metaphor.
Providing a brand new process for knowing the event of items as issues, Bogost additionally calls on philosophers to reconsider their craft. Drawing on his personal heritage as a videogame clothier, Bogost encourages expert thinkers to turn into makers besides, engineers who build issues up to they suspect and write approximately them.
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Additional info for Alien Phenomenology, or What It's Like to Be a Thing (Posthumanities)
66 The point is this: things are not merely what they do, but things do indeed do things. And the way things do is worthy of philosophical consideration. Units are isolated entities trapped together inside other units, rubbing shoulders with one another uncomfortably while never overlapping. A unit is never an atom, but a set, a grouping of other units that act together as a system; the unit operation is always fractal. These things wonder about one another without getting conﬁrmation. This is the heart of the unit operation: it names a phenomenon of accounting for an object.
In both cases, a metaphor of three-dimensionality describes the palace of being: either it is a structure that can be explored and mapped for the beneﬁt of human culture, like a great cathedral, or it is the shape that encloses that structure, giving it form in the way that a plot of land makes possible the erection of the cathedral in the ﬁrst place. Theories of being tend to be grandiose, but they need not be, because being is simple. Simple enough that it could be rendered via screen print on a trucker’s cap.
While the composition suggests the familiar vantage point of a pedestrian, the view itself bears little resemblance to the street photographer’s usual focus on human activity. An immense swath of pavement occupies most of the bottom of the image, drawing attention to the pneumatic cable that stretches in front of the pumps. It curls like a pig’s tail. In the center of the frame, plastic numerals attach to a sign to indicate prices. Below them, a soft vinyl tube contains radial tires, the form of which gives the tube its shape.