Download Aesthetic Practices and Politics in Media, Music, and Art: by Rocío G. Davis, Dorothea Fischer-Hornung, Johanna C. Kardux PDF

By Rocío G. Davis, Dorothea Fischer-Hornung, Johanna C. Kardux

This quantity analyzes leading edge different types of media and tune (art installations, tv ads, images, movies, songs, telenovelas) to check the functionality of migration in modern tradition. notwithstanding migration stories and media reports are ostensibly various fields, this transnational choice of essays addresses how their interconnection has formed our realizing of the paradigms by which we expect approximately migration, ethnicity, country, and the transnational. Cultural representations intrude in collective ideals. paintings and media in actual fact impact the methods the event of migration is articulated and recalled, intervening in person perceptions in addition to public coverage. to appreciate the relationship among migration and numerous media, the authors research how migration is represented in movie, tv, track, and paintings, but in addition how media form the ways that host state and fatherland are imagined. one of the issues thought of are new mediated varieties for representing migration, widening the viewpoint at the methods those representations can be analyzed; readings of enactments of reminiscence in trans- and inter-disciplinary methods; and discussions of globalization and transnationalism, inviting us to reconsider conventional borders in recognize to migration, state states, in addition to disciplines.

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Extra info for Aesthetic Practices and Politics in Media, Music, and Art: Performing Migration (Routledge Research in Cultural and Media Studies)

Sample text

Regarding immigration, the superior alien, who could improve the homeland, albeit at the cost of the extinction of the human homelanders, gives up the effort and leaves earthlings to their own dubious devices. WORKS CITED Bataille, Georges. L’Erotisme. Paris: Les Editions de Minuit, 1957. Baxter, John. Science Fiction in the Cinema. A. , 1970. ” The Numbers Web site. php (accessed October 10, 2008). Paradigms of Attitudes Toward Immigration 29 Brode, Douglas. The Films of the Fifties: Sunset Boulevard to On the Beach.

Ibid. Potts, Science/Fiction, 71–101. Brode, Films of the Fifties, 51. North, Day. In response to my question about the last scene, Robert Wise responded that as a statement against the reactionary mood regarding both freedom of expression and racial intolerance, he had consciously chosen to feature faces from different races, cultures, and geographic origins in the last scene. This gives more significance to the fact that the scientist who has collaborated with Klaatu to organize the summit of alternative world leaders is told by the military, just before Klaatu emerges from the ship to address the crowd, that the meeting must be suspended.

His body lacks Karloff’s bulk, yet the scene in which Rennie pulls at his coat sleeve will remind the alert viewer of Karloff’s ill-fitting coat that exposes much too much wrist. However, Klaatu’s human dimensions and normal character within the resemblance link him to Dr. Frankenstein, especially when seen alongside his giant robot. Gort’s size equates him to the Karloff figure but in a cutting-edge, futuristic version. The parody smoothes Frankenstein’s grotesque bulk and scruffi ness into the fluid lines of a silvery, metallic, minimalist unitary body of awesome proportions and power.

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