Download Adobe(R) Seminars: Web Page Design by Lisa Lopuck, Sheryl Hampton PDF

By Lisa Lopuck, Sheryl Hampton

I might consider a number of the different reports right here. this isn't a rookies e-book. It assumes not less than an intermediate point of knowing of Photshop, Illustrator, Pagemill, to execute a number of the excercises.
To the books credits although, it's very well laid out -easy to learn -in truth pictures consultant you greater than the textual content.

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Adobe(R) Seminars: Web Page Design

I'd trust a few of the different studies the following. this isn't a newbies booklet. It assumes a minimum of an intermediate point of realizing of Photshop, Illustrator, Pagemill, to execute a number of the excercises.
To the books credits even if, it's very properly laid out -easy to learn -in truth pictures advisor you greater than the textual content.

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S. and other countries. S. and/or other countries. ©1997 Adobe Systems Incorporated. All rights reserved. Photograph: Digital Vision. 0 12/97 Learn how to create a painting from a photograph. In just a few simple steps you can turn a run of the mill snapshot or stock photo into a digital painting. 0. BEGINNER PAINTERLY IMAGES 1. Open a new CMYK or RGB file. The best types of images for this technique are ones that contain lots of color and texture. Landscapes and still lifes work very well. Peopled scenes are fine but close-ups of faces don’t work as well because the facial features can become too distorted or smeared.

Navigate to where you saved the Blur map file and select it. Click OK and wait for the results. Wow! The shadow magically bends over the contour of this perfect face. Ahaa. Multiply Mode 11. Now, to make it a little more realistic, set the mode to Mulitply. Looks OK, but we can do better than this! Displacing Shadows With Photoshop Effectively like sandwiching two negatives together, this mode looks at the color information in the channels and multiplies the base color by the blend color, darkening the color underneath it.

Right? Shortcuts 5. Here you can see that the Green channel has the most obvious problem. This is because green is the color complement to red, and the stain in this image is red. The problem channel for our image will vary depending on the color of the stain. Channel shortcuts 6. Notice that the Blue channel is unaffected by the red wine stain. This channel is not a problem, and we do not need to correct it in any way. The Blue channel also contains a significant portion of the detail in the image, and if we do not have to change it, we can maintain the integrity of the brush strokes.

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